Speaking of taking it all in at once, it must be pointed out that with the inclusion of the game’s major expansions (and optional premium content) you get an absurd amount of game for your $9.99 investment. It of course doesn’t hurt that its complimented by a character design and leveling system that is initially somewhat daunting in its possibilities, but eventually reveals itself to adapt and grow as you do, making its learning curve very natural for those who do not choose to attempt to comprehend it all at once. It’s that mixture of real time and turn-based combat you may know from other Bioware games such as Knights of the Old Republic, and while it does lean a little more to the turn-based side here, you still get that intoxicating mixture of strategy and action that gives the system such longevity. The gameplay also remains similarly timeless. If there were a museum devoted entirely to the visuals of gaming, then some of the landscapes within Baldur’s Gate II would be among its prime attractions. It allows for a different level of visual excellence, and Bioware’s design team flaunts its capabilities better than anyone else. Baldur’s Gate II certainly won’t turn heads like some mobile games designed with visual superiority in mind, but the isometric viewpoint of the game provides a certain visual appeal very unique to gaming. Surprisingly, the game’s graphics hold up as well as the design philosophy. Even if you don’t wish to discover what it may be, the symmetry of the aesthetical design makes every fascinating piece of landscape feel as if it truly belongs and has meaning. Every element of this game exists for a reason. Those willing to dive into the literature and conversations in this game specifically designed to illuminate you on this land known as The Merchant’s Kingdom will find a history every bit as deep and connected as our own. Bioware could once make the claim of being the greatest world crafters in the industry, and Baldur’s Gate II is exhibit A in their testimonial as such. While RPGs are all ideally based around such a concept, what separates Baldur’s Gate II is its execution. And the real Baldur’s Gate II is a game about endless and bountiful discovery.īe it a small discovery such as a personality trait or piece of history involving your favorite character that was previously unknown, or a larger one like a new region or incredible piece of equipment, there is no moment in this game when you are not on a journey to shed light on some dark corner of this world. Because once you do manage to escape your captivity, which is compelling enough in its own right to put other full RPG experiences to shame, the real Baldur’s Gate II begins. Weakened and alone, you must somehow escape from this bizarre prison fortress with few resources available and almost no bearings as to what exactly is happening.Īnd yet, this opening sequence built largely around the idea of disorientation is the closest the game comes to letting players find their bearings in this world. You awake in a prison as the subject of cruel experiments. That may sound like an exaggeration considering the series had a previous installment and a 250+ page manual designed specifically to prepare you for what was to come, but there was no anticipating just what kind of journey lay ahead once you installed this digital behemoth.Īppropriately, the game starts you off in a position of uncertainty. When Baldur’s Gate II released in 2000, there was no real way to be prepared for it. Almost 15 years later and Baldur’s Gate II: Enhanced Edition still leaves me speechless. After all, surely in the time since its release there would be some simple statement or series of evaluations that could perfectly describe both its particular merits and its place in history.īut no. This is all BioWare sanctioned, too.Īs it's Friday I've dug out a special video for you.Talking about Baldur’s Gate II in 2015 should be an easy task. Overhaul Games, I answer - a studio of former BioWare bodies who work just down the road from their employer's original office. "Who dares fondle my favourite RPG?" you silently scream. Oster also shared that BGEE will run on a first-gen iPad and a Nexus 7.īaldur's Gate: Enhanced Edition brings the seminal RPG of yesteryear back with loads of improvements and even new content. Allow a bit of leeway and you won't be disappointed, in other words. we can't 100 per cent control the date on iOS, Mac and Android."Ī press release sent today (after Oster's tweet) noted that an Android launch will happen "soon after" the others. "We are targeting November 28 for all platforms," tweeted man in charge, Trent Oster. Overhaul Games' retro revamp now quests towards a 28th November release on Android (tablets), iOS (iPad), PC and Mac. The Baldur's Gate: Enhanced Edition date has been moved slightly.
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Values for 100ml liquid product are halved, and different numbers apply for infants and pregnant consumers. ‘Reduced’ claims will need to contain no more than 40 calories, 3g fat, 1.5g saturated fat, 20mg cholesterol, 120mg sodium or 5g sugar for 100g of solid products, whereas values for all items except sodium need to be halved for 100ml of liquid products.Ĭonversely, ‘high’ or ‘extra’ claims will need to contain at least 6g fibre, 210 µg Vitamin A, 0.42mg Vitamin B 1, 0.48mg Vitamin B 2, 30mg Vitamin C, 3.9mg Vitamin E, 360mg calcium or 4.5g iron per 100g of solid product. ‘Zero’ or ‘free’ nutrient claims will need to contain no more than four calories, 0.5g fat, 0.1g saturated fat, 0.3g trans fat, 5mg cholesterol, 5mg sodium, or 0.5g sugar per 100g or 100ml. “Similarly, if a manufacturer wishes to include a ‘high-fibre’, ‘extra fibre’, ‘rich in fibre’ or any equivalent claim for a liquid packaged beverage product, it will need to include the amount of fibre per 100g on the label, and make sure these adhere to current nutritional standards and guidelines.” “For instance, solid packaged food products that wish to include a ‘sugar-free’, ‘no-sugar’, ‘zero-sugar’ or equivalent claim will now need to include the amount of sugar per 100g of product on the label. “The new amendments will require manufacturers to include information regarding product calories and nutrition in quantifiable forms, using the unit of measurement that is used to quantify the product itself,” added the FDA. vitamins A, B, C, E, calcium and iron.”įor products high in nutrients which the agency hopes to reduce public consumption of such as saturated fats and sugar, manufacturers need to label these as ‘consume in moderate/suitable amounts’, whereas others containing high amounts of vitamin A and calcium need to label these as ‘possible to be consumed in supplementary amounts’. regarding calories, saturated fats, cholesterol, sugar nutrients and minerals which consumers might lack e.g. “ preventing the overconsumption of nutrients and minerals which would lead to public health issues e.g. “As such, new amendments have been added to the draft regulations to define nutritional claims and vocabulary usage, which will serve to disallow the usage of hidden or implied messaging that a product has nutritional or caloric benefits that it does not in fact possess. “One of the main objectives of these amendments are to ensure compliance that nutritional labelling and claims are suitable such that consumers will obtain appropriate amounts of nutrition, as it is important that the phrasing and vocabulary used on the product labelling is accurate,” said the FDA via its formal statement. 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He is the great Michelangelo conception of Moses but rather as the inspiration for the sculptor might have been than as a derivation. It is sound dramatically and, despite its expanse, well-knit and cohesive.Ĭharlton Heston as Moses is splendid, handsome and princely (and human) in the scenes dealing with him as a young man, and majestic and terrible as his role demands it. Frank, is based on incredible historical background and advice. The screenplay by Aeneas MacKenzie, Jesse L. It stresses our common brotherhood, as children of Abraham, rather than the differences which the years have brought. Having chosen his own people, he then leads the Jews out of Egypt and, after years of hardship and wandering, delivers them to the Promised Land.ĭeMille has augmented the Bible story with careful research, wisely careful that the story as he presented it will not give offense to any believers, Christian, Jew or Mohammedan. There comes a time when Moses learns he is Hebrew, not Egyptian, and when he must choose which future he will accept. The child is found by the Pharaoh’s daughter and raised as her own child, as a prince of Egypt. Moses, born to a Hebrew family in slavery in Egypt, is spared by his mother from the death decreed by the Pharaoh when she puts the infant in a basket and sets it adrift on the Nile. The story, in its bare outlines, is familiar to everyone. This is the theme of this great picture, liberty under God, the sanctity of the individual and his struggle for freedom from oppression created tyrannical state and the men who see no higher authority than that with which they invest themselves. “Proclaim liberty throughout the lands, unto all the inhabitants thereof.” So says Moses to the Jews as the Chosen People approach the River Jordan and Moses leaves them. And it puts the credit squarely where it belongs. This reasoning does not diminish the many other fine artists there are in Hollywood, it simply puts in proper perspective the massive accomplishment that his picture is. But you have only to imagine (or try to) the name of any other man who could have functioned as the creator of The Ten Commandments to realize what a giant Cecil B. There are many very capable people who have helped to make The Ten Commandments and DeMille has been generous in his credit to all departments. Because The Ten Commandments takes all the great technical advances, VistaVision, Technicolor, high fidelity recording, etc., and without allowing these physical elements to dominate, tells one of the greatest stories of all time. This is why we say the summit of screen achievement. DeMille is still the master of spectacle, still as skillful as ever in translating historical events in terms of human values, and of welding these two elements into absorbing, exciting, thrilling, moving screen entertainment. These weighty comments should not obscure the fact that Cecil B. It establishes its own measure of evaluation in almost every way, speaking theatrically, and it cannot even be judged on that basis alone, since it is also a profound and important spiritual message. Because The Ten Commandments cannot be evaluated by ordinary critical standards. But this is a little like inquiring timorously if the Colossus of Rhodes was a nice piece of statuary, if the Parthenon was a pretty little church. Is it a great movie? Entertaining? Artistic? Well, yes. DeMille’s lofty and crowning achievement will bring into theatres throughout the world the most important segment of potential audiences: the people who do not attend movies regularly or do not go at all. If there were but one print of this Paramount picture, the place of its showing would be the focus of a world-wide pilgrimage. It is not just a great and powerful motion picture, although it is that it is also a new human experience. DeMille‘s The Ten Commandments is, in many ways, the summit of screen achievement. DeMille’s Masterpiece - Monumental Production, Entertaining and Uplifting, An Unsurpassed Achievement.”Ĭecil B. 5, 1956, The Hollywood Reporter gave the highest praise to the film in a review originally headlined, “‘The Ten Commandments’ C.B. In the fall of 1956, moviegoers were greeted with what would become one of Hollywood’s most enduring Biblical-themed films, The Ten Commandments. Here, you can view the arrangement you have just recorded on a linear timeline. Pressing the Grid button will return you to the main Track view. As the arrangement is performed, GarageBand provides a miniature track display at the top of the Live Loops Grid view to show you where these loops are recorded on the timeline (see Screen 2). Screen 2: You can record Live Loops into the GarageBand linear timeline the timeline underneath the Control Bar helpfully displays where the events were recorded.Once you have a few Loops assigned in different columns you can record a live arrangement simply by pressing record and play in the transport, then launching Live Loops as the track plays. You can also perform a number of editing actions by pressing and holding on a Live Loop and choosing an edit option from the pop-up menu. Now you can pinch to zoom the Live Loops grid, or press and drag to move Live Loops to different slots. You can perform a number of editing actions on the Live Loops by going to the bottom-left corner of the UI and toggling the Edit button on. You can add new loops by opening the Loop Browser and then dragging a loop from the Browser into an empty slot. Alternatively, you can play a collection of Live Loops by tapping the launch button at the bottom of a column of loops. To trigger Live Loops, simply tap them and they will launch in sync with the project timeline according to the Time Snap setting in the top-right corner of the grid. Once you have chosen a Live Set, GarageBand will switch the UI into the Live Loops grid view and you can toggle between this and the normal Tracks view using the Grid button on the Control Bar. Choose one of the pre-installed Live Loop sets or alternatively start from a blank set using the ‘New’ option. Here you have a selection of factory Live Loops collections organised by genre. To begin experimenting with Live Loops go to the Sound Browser (the icon next to My Songs) and, in the pop-up window, slide the tab at the top of the screen across to Live Loops. A column of Live Loops can be launched in the same way you can launch multiple clips using Scenes in Ableton. This essentially takes the bundled Apple Loops library and allows you to arrange the Live Loops in an Ableton-style clip-launching matrix. GarageBand has a really fun and simple clip-launching feature called Live Loops. Now that your project is in GarageBand let’s explore some of the unique features that haven’t yet been added to the Mac OS version of Logic. You should now see a GarageBand project with a single stereo audio track that is the bounce of your arrangement from Logic. Once the upload is complete, go to your iOS device, open GarageBand and, from the My Songs browser, choose the Logic project you just shared. The upside of using a bounce strategy is it is incredibly fast to get the idea you are working on uploaded to iCloud and into GarageBand. When Logic exports your project to GarageBand iOS it bounces the entire project to a stereo audio file wrapped in a GarageBand project extension. To share this with GarageBand iOS, drop down the File menu and click Share / Project to GarageBand for iOS (Screen 1).įrom the pop-up dialogue, choose your iCloud GarageBand iOS folder as the location and then save your project. Load one of your existing projects in Logic. Your project will be bounced to a stereo audio file and uploaded to iCloud faster than you can make a cup of tea.To avoid any compatibility issues, begin by making sure that your versions of iOS GarageBand and Logic Pro X are fully up to date. Screen 1: Sharing a Logic project with iOS GarageBand is as easy as choosing the Share / Project to GarageBand for iOS. Lastly, we look at how you can send this enhanced project back to Logic and tweak the results. In this month’s Logic workshop we look at how to transfer your Logic Pro X projects to GarageBand iOS before going on to spice up that track using the Live Loops and Remix FX features that are exclusive to GarageBand. Integrate your Logic Pro X tracks with GarageBand iOS and open up a world of possibilitiesĪpple’s GarageBand iOS app has some surprisingly advanced features like clip launching and glitch effects that are not yet present in Logic Pro X. There are the endgame farming items (VHL, YnR, LR), and bot programs improved with things like "if" statements and labeled command blocks. Botting programs back then were very basic.Ī year or two ago, a lot older and a full fledged software developer, I tried out AQW again (with bots) for some nostalgia and found it's almost more fun now. I was already interested in programming and this was somewhat similar, if much much simpler. Thus I stumbled onto botting.Īfter I used bots found online for a while I realized a lot of them didn't work well, or worked but could be vastly improved. After a few years I stopped, but when I came back a couple years later out of curiosity and got back into it I really noticed how excessively grindy and repetitive the game was with little payoff. I played the shit out of AQ and then AQW back when I was a kid (I'm a first upholder, not a founder unfortunately). For me it's because making a working bot is a lot of fun, far more fun than playing the game itself. Yes, but not for the usual reasons of excessive grind, low effort devs, repetitiveness, etc. I'm way out of the loop on everything, and Im at the bottom of anything remotely competitive, but I'm trying now I'm working my way out of this hell because someone finally drilled into me the importance of putting effort into shit. Everyone is just a classmate, a teacher, a stranger, another person. I no longer have the will to form actual connections with people. I barely made it out of high school because I did not study, and the only reason I got out is because no one fails at my high school unless you want to. I failed all my college entrance tests just because reviewing was too hard. I fucked up all the critical moments, and I was at rock-bottom which was crushing because I had high expectation of myself. I finally got rid of a big portion that mentality 10 years later when shit was less critical. There was a point in my life where I did not do anything unless it was easy. It really fucked me up mentally in other areas in my life. I feel so ashamed when I remember how much I vied for their attention when all they did was use trainers to get their gear. I'm reminded of my feelings of inadequacy when I start a grind. Sometimes, I log in to AQW every now and then to check what's been going on. I put it on, and fuckin none of my friends gave me the reactions I was hoping for. I turned in my tokens, and I got the armor. One day while doing other shit, I found that I had enough tokens to get undead legend. For fuck's sake, no one actually farmed that shit manually, and I was so fucking pissed at that fact. Long story short, I fucking got one from one of my friends who was botting the entire fucking time to get the Nulgath items. I was looking for trainers to get this shit done. Not to mention my crappy fucking DPS which was like a 3 minute kill. Mind you, I had crappy internet, so every time I moved to another zone, it would take a 2 minute load to even get in. So after torment and anguish, I was subjected to the mind-numbing legion exercise 4. I lost nearly every match of PvP so I had to do that thing around 150 times. Not to mention PvP was the worst thing I had to endure. I probably tried killing king cold 5 times before I actually survived to get the drop and 120 for the champion mob. I would sometimes die while farming so I had to put in more effort. I farmed the champion mob and king cold with fucking ninja. It took everything I had to even get started on the farm, and I cried that moment I got undead champion. I did 8 hours worth of chores for 2 weeks until she finally relented. I begged my mom for ACs to get undead warrior. I needed to get this badly just to show them up. None of my friends wanted to grind Dage's stuff because they found it so tedious for some reason. They all had AC gear or Nulgath's Juggernaut Items. I had no self-esteem so I had to get this armor to earn the approval of my friends. At the time, their opinion meant the world to me. My friends were giving me shit for not having some cool ass armor. I was so sick of heading to marsh2 just to do this shit. Damn, I was already tired after 70 turn ins, and I already got all four weapons. This is was 500 iterations of legion exercise 4. Holy shit it took 300 tokens for undead legend + 200 for that the legion overlord prerequisite. Employees can turn on reflectors in vehicles.Pure Farming 2018 1.02 addressed an issue where Field of View (FOV) would reset to the default value when controlling the drone.Added the possibility to sell all rabbits at the same time.Travel time between countries has been reduced from 6 to 2 hours.Time scale adjusted – lowest value is true x1 (1 minute in play – 1 minute in life) Highest is 圆00 Default is x24 (previously x1).AI workers are now being paid every real lifetime.More smoke during the Jungle Fire challenge.Pure Farming 2018 version 1.02 fixed issues where buying Simpa Maja and Sipma Dromader was not correct one after the other.The farmer will no longer occasionally appear in a random location when he turns on the drone in the vehicle.The open tablet option sometimes disappeared.Fixed issue where vehicles sometimes slowed down randomly.Fixed an issue where Redland’s Champion Tire Marks were not visible.Bears Warning in Montana map no longer shows “10 km” but “10 miles”.Pure Farming 2018 version 1.02 improves how the sunshine affects windows.Occasional problems with discarding grain in Sipma NS1600 fixed.Pure Farming 2018 1.02 fixed an issue where some tablet windows did not scroll.
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